How The Comedy of Errors drew on Acts

A documented line of influence: William Shakespeare demonstrably engaged Luke’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

Relevance
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On The Comedy of Errors’s page

  • The play's Ephesus is Acts 19's Ephesus — Shakespeare relocated his Plautine farce there precisely to overlay Luke's city of sorcerers and exorcists
  • The witchcraft motif and the exorcist Doctor Pinch draw directly on Acts 19:13-29, where would-be exorcists meet a city steeped in magic
  • Read the source and the comedy's free-floating sense of bewitchment stops being a joke and starts looking deliberate

On Acts’s page

  • Shakespeare moved his Roman farce to Ephesus specifically because of Acts 19, which paints the city as a hotbed of sorcery and exorcism
  • The play's whole atmosphere of witchcraft — "There's none but witches to inhabit here" — and the exorcist Doctor Pinch grow straight out of Luke's account
  • A book of scripture quietly supplied the supernatural dread that turns a mistaken-identity comedy into something stranger

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Around The Comedy of Errors