How The Picture of Dorian Gray drew on Dr. Faustus

A documented line of influence: Oscar Wilde demonstrably engaged Christopher Marlowe’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Picture of Dorian Gray’s page

  • Dorian's last unheeded plea replays Faustus's death-bed scene — both men believe repentance has come too late, and Wilde borrows the very phrase: "It is too late" from Marlowe's "Is't not too late?"
  • Lord Henry is a transplanted Mephistopheles, the tempter steering a man toward his own ruin
  • Wilde called the soul-for-youth idea "old in the history of literature" — Marlowe's Dr. Faustus is where that bargain got its definitive English form

On Dr. Faustus’s page

  • Marlowe's damnation gave Wilde his ending — the soul-for-youth bargain that Wilde said was "old in the history of literature, but to which I have given a new form"
  • Wilde, an Oxford classicist steeped in Renaissance drama, lifts Faustus's despairing "Is't not too late?" straight into Dorian's own "It is too late"
  • And Lord Henry is Mephistopheles transplanted — the seductive tempter who talks a man out of his soul

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