How The Divine Comedy drew on Ezekiel

A documented line of influence: Dante Alighieri demonstrably engaged Ezekiel’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Divine Comedy’s page

  • When Eden's procession arrives in Purgatorio XXIX, Dante stops to name his source — "read Ezekiel" — and models the four winged creatures on Ezekiel 1
  • The chariot vision "by Chebar's flood" is the template for the Comedy's strangest pageant
  • Reading Ezekiel first gives you the picture Dante assumes you already have; he diverges from it on just one detail (the number of wings, following Revelation)

On Ezekiel’s page

  • Dante names Ezekiel by name in Purgatorio XXIX and stages Eden's mystical procession on the prophet's chariot vision
  • The four winged living creatures of the Divine Pageant come straight from Ezekiel 1 — "by Chebar's flood"
  • Dante tells the reader outright to picture them as Ezekiel painted them, departing only on the count of wings, where he follows John instead

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