How The Rime of the Ancient Mariner drew on Genesis

A documented line of influence: Samuel Taylor Coleridge demonstrably engaged Moses’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Rime of the Ancient Mariner’s page

  • The Mariner is a sea-going Cain — and that's no accident
  • Coleridge had been trying to retell Genesis 4 directly in The Wanderings of Cain; when that collapsed ("broke up in a laugh"), The Rime was written in its place
  • The whole machinery — innocent blood shed, the mark of guilt, the curse of endless wandering — comes straight out of Cain's exile in Genesis

On Genesis’s page

  • Genesis 4 — Cain marked, condemned to wander for shedding innocent blood — is the buried template under Coleridge's poem
  • Coleridge first tried to retell it straight as The Wanderings of Cain; that scheme, by his own account, "broke up in a laugh: and the Ancient Mariner was written instead"
  • The Mariner is a Cain at sea — kill the innocent albatross, wear the mark, wander the earth telling your tale

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