How Le Morte d'Arthur drew on The Consolation of Philosophy

A documented line of influence: Thomas Malory demonstrably engaged Boethius’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Le Morte d'Arthur’s page

  • Camelot rises and falls on Boethius's Wheel of Fortune — and the Consolation is where the medieval world learned to see it that way
  • Read it first and Malory's fatalism clicks into place: Lancelot all but quotes Boethius on the wheel "so moveable," and Arthur dreams of being thrown from it on the eve of ruin
  • The philosophy behind the doom — fortune, providence, sin redeemed — is Boethius's, standing quietly behind the swords

On The Consolation of Philosophy’s page

  • Boethius popularized the Wheel of Fortune for the entire Middle Ages — and Malory hangs the whole rise and ruin of Arthur's court on it
  • Lancelot quotes the Boethian wheel almost verbatim: "fortune is so variant, and the wheel so moveable, there nis none constant abiding"
  • Before the last battle, Arthur dreams of being cast down from that very wheel — the Consolation's vision of fortune and providence turned into the engine of Camelot's fall

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