How Twenty Thousand Leagues Under the Sea drew on The Count of Monte Cristo

A documented line of influence: Jules Verne demonstrably engaged Alexandre Dumas’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Twenty Thousand Leagues Under the Sea’s page

  • Captain Nemo is Edmond Dantès moved underwater — Verne built his brooding, vengeful, self-exiled commander on Dumas's Count
  • Read Monte Cristo first and Nemo's mystery reads as a sequel of temperament: the wronged man with a secret fortune, withdrawn from a world he means to punish
  • The friendship was real — Verne knew Dumas — and the lineage so plain his editor quietly trimmed the acknowledgment from the manuscript

On The Count of Monte Cristo’s page

  • Verne met Dumas in 1849 and the two became close friends — and Dumas's vengeful exile Edmond Dantès is the model behind Verne's Captain Nemo
  • Nemo's isolation, his hidden fortune, his revenge nursed in self-imposed banishment: Dantès transplanted from a Mediterranean island to the deep sea
  • Verne later called another of his heroes "the Monte Cristo of my Extraordinary Voyages" — the debt was conscious

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Around The Count of Monte Cristo