How A Midsummer Night’s Dream drew on The Golden Ass

A documented line of influence: William Shakespeare demonstrably engaged Apuleius’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On A Midsummer Night’s Dream’s page

  • Bottom's ass-head and his night with Titania are a rework of Apuleius's man-turned-donkey, bedded by a noblewoman who can't get enough of the beast
  • Shakespeare almost certainly knew it through Adlington's 1566 translation, whose phrases echo through his work
  • The Golden Ass gives the Dream's strangest joke its pedigree — the transformation isn't whimsy, it's a 1,400-year-old comic inheritance

On The Golden Ass’s page

  • The only Latin novel to survive whole — and the seed of Shakespeare's most famous transformation
  • Lucius, turned into an ass, is taken to bed by a noblewoman who adores the beast; Shakespeare hands Bottom an ass-head and a doting queen of the fairies
  • Adlington's 1566 English version put Apuleius within Shakespeare's reach — phrasings from it surface across his plays

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