Read this if you…
- want to read the most poetic translation of the Iliad
- want to read an amazing poem on literary criticism
- want to read about enlightenment philosophy in poetic form
- want to read the best english poet between milton and the romantics
Skip this if you…
- only like short lyric poems
The 
Take
Essay on criticism 5- thought I was fantastic with great arguments and awesomely wittyRape of the lock 4- some of the aristocratic satire was tough to parse but with some help, pretty funny and interesting Essay on man 3- one paragraph I love, the rest seems a little bit trite Eloisa to Abelard 4- good juxtaposition of the holy and profane
The lineage through The Rape of the Lock
- The Iliad by Homer. The Rape of the Lock built on it. - *The Rape of the Lock* is a joke that only lands if you know the *Iliad* — and Pope knew it cold, having translated the whole thing - Belinda's toilette is Homer's arming scene in miniature; Clarissa's Canto V speech is a near line-for-line burlesque of Sarpedon's exhortation to Glaucus in Book 12 - Read the *Iliad* first and the parody opens up: the gulf between epic grandeur and a society quarrel over hair is the entire point
- Selected Poems by John Dryden. The Rape of the Lock built on it. - Pope didn't invent the mock-heroic — he inherited it from Dryden, whom he venerated as his master - Dryden's *Mac Flecknoe* set the template: epic grandeur turned on a subject that can't bear the weight, played for satire - Read it first and you see exactly the line Pope is standing on — the heroic couplet honed into a comic scalpel
- The Aeneid by Virgil. The Rape of the Lock built on it. - The whole joke of *The Rape of the Lock* runs on Virgil — Pope is mock-soldering a society scandal onto the frame of the *Aeneid* - Belinda's trip up the Thames burlesques Aeneas's voyage up the Tiber, and her grief in Canto IV echoes Dido's in Aeneid IV - The mockery only fully registers if you know the epic it's deflating — read Virgil first and every inflated line gets funnier
- Paradise Lost by John Milton. The Rape of the Lock built on it. - *The Rape of the Lock* is a wink at *Paradise Lost* — Pope dresses a trifling society squabble in Milton's cosmic apparatus - Know Milton first and the jokes land: Belinda's dream answers Eve's, Umbriel's descent to the Cave of Spleen replays Satan's journey to the new world - Pope's supernatural machinery — the sylphs, the omens — is Milton's epic burlesqued to the scale of a curl of hair
Depicted in Art
Belinda sleeps as her guardian sylph Ariel hovers above; the Baron lurks waiting to seize the lock and the gnome Umbriel descends toward the Cave of Spleen.
Henry Fuseli, 1790
Preparatory oil sketch for the Sir Plume confrontation: looser massing of the drawing-room cast, with Belinda, the Baron, and Sir Plume picked out in the center.
Charles Robert Leslie, 1854
Sir Plume, the foppish messenger, gestures indignantly at the seated Baron in a crowded drawing room while Belinda and her entourage look on; a lapdog feeds from a dish.
Charles Robert Leslie, 1854
Umbriel kneels before the enthroned goddess Spleen in her grotesque underworld cavern as she hands him the bag of sighs and the vial of tears.
Henry Fuseli, 1798
Belinda sits at her crowded dressing table in elaborate rococo dress, surrounded by bejeweled bottles, attendants, and a folding screen — primping in her boudoir as the poem's mock-epic prelude.
Aubrey Beardsley, 1896
A panoramic view of the Cave of Spleen's fantastical court: animated teapots, men in surreal transformations, and the queen Spleen presiding over her grotesque household.
Aubrey Beardsley, 1896
Recommended Editions
Penguin Classics
2018
The Penguin selected poetry, with The Rape of the Lock alongside the Essay on Man, Essay on Criticism, and the Dunciad. Pat Rogers's notes catch Pope's allusions, which run thick through every couplet.
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Notable Quotes
What dire offence from amorous causes springs, / What mighty contests rise from trivial things!
- Samuel Johnson, critic & lexicographer, 1709–1784: "The most airy, the most ingenious, and the most delightful of all his compositions."
- William Hazlitt, Romantic critic & essayist, 1778–1830: "The Rape of the Lock is the most exquisite specimen of filigree-work ever invented. It is made of gauze and silver spangles."
- Lord Byron, Romantic poet, 1788–1824: "As to Pope, I have always regarded him as the greatest name in our poetry. Depend upon it, the rest are barbarians."
- Voltaire, philosophe & Enlightenment writer, 1694–1778: "He is, in my opinion, the most elegant, the most correct poet; and, at the same time, the most harmonious...that England ever gave birth to."
- Cleanth Brooks, New Critic, Yale University, 1906–1994: A poem worth taking seriously as a poem — its mock-heroic machinery carries a real and complex attitude toward the world it gilds.