How Phaedo drew on Aesop’s Fables

A documented line of influence: Plato demonstrably engaged Aesop’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Phaedo’s page

  • The Phaedo opens with Socrates versifying Aesop in his cell — Plato names the fabulist and adapts him on the page (60b–61b)
  • Watch Socrates spin an Aesopic observation of his own, on how pleasure and pain are bound together at the head
  • Knowing the fables makes the moment land: the simplest popular form, pressed into service at the threshold of death

On Aesop’s Fables’s page

  • The fables follow Socrates into his death cell — in the Phaedo he spends his last days turning Aesop into verse
  • Plato names Aesop directly and improvises in his manner: a new fable about pleasure and pain joined at the head, inseparable
  • The humble animal tale earns a place in philosophy's most solemn scene

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