How Frankenstein drew on Genesis

A documented line of influence: Mary Wollstonecraft Shelley demonstrably engaged Moses’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Frankenstein’s page

  • Frankenstein's monster keeps measuring himself against the first man — created, then cast off, demanding an account from the one who made him
  • The route runs through Milton (the epigraph is Adam's protest, and the creature reads Paradise Lost), but the original pattern is here in Genesis: knowing Adam's making sharpens the creature's bitter inversion of it

On Genesis’s page

  • The creature's deepest grievance is a Genesis grievance — like Adam, he was made and then abandoned by his maker, and he wants to know why
  • Shelley reaches it by way of Milton (the creature reads Paradise Lost, and the epigraph is Adam's complaint), but the wound underneath is the oldest one: a creation turning to face its creator

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