How The Merchant of Venice drew on The Gospels

A documented line of influence: William Shakespeare demonstrably engaged Matthew’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Merchant of Venice’s page

  • Portia's famous "quality of mercy" plea is the Sermon on the Mount turned into legal rhetoric — "Blessed are the merciful" made flesh
  • Her appeal that "that same prayer doth teach us all to render the deeds of mercy" leans on the Lord's Prayer's "forgive us our debts" (Matthew 6)
  • The play's mercy-versus-justice spine is a theological argument; reading Matthew first tells you which side the Gospel is on

On The Gospels’s page

  • The Sermon on the Mount becomes a courtroom argument — Portia's "quality of mercy" speech is built on "Blessed are the merciful" (Matthew 5)
  • She presses the logic of the Lord's Prayer too: "we do pray for mercy, and that same prayer / Doth teach us all to render the deeds of mercy" (Matthew 6's "forgive us our debts")
  • The Merchant of Venice sets New-Law mercy against Old-Law justice — and the New Law it quotes is Matthew's

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