How Faust, First Part drew on Macbeth

A documented line of influence: Johann Wolfgang von Goethe demonstrably engaged William Shakespeare’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Faust, First Part’s page

  • Faust's 'Witch's Kitchen' is Goethe answering the Macbeth witches he praised — the cauldron scene was directly in his mind
  • Gretchen's madness borrows Shakespeare's signature image of guilt: the imagined bloodstain that won't wash off, straight out of Lady Macbeth's sleepwalk
  • Read Macbeth first and you'll catch how Goethe is reaching for the same theatrical power — witchcraft, conscience, a hand stained by murder

On Macbeth’s page

  • Goethe openly admired Macbeth's witches as a model of vivid drama — and they're hovering behind Faust's 'Witch's Kitchen'
  • The cauldron and its hags were in his mind as he wrote his own scene of supernatural brew
  • Even the guilt is Shakespeare's: Gretchen's mad fixation on the blood she sees on Faust's hand replays Lady Macbeth's 'out, damned spot'

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