How Hamlet drew on Metamorphoses

A documented line of influence: William Shakespeare demonstrably engaged Ovid’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Hamlet’s page

  • Hamlet reaches for Ovid again and again — Niobe, Hecuba, Hyperion, the forgetful waters of Lethe all surface from the Metamorphoses
  • The Player's Speech is built on Golding's Ovid, the ~200 lines on Hecuba's fall (Met. 13)
  • Shakespeare had read lots of Ovid in Golding's translation; the Metamorphoses is the single classical text standing behind Hamlet more than any other

On Metamorphoses’s page

  • More than any other classical text, the Metamorphoses is Hamlet's myth-bank — Hecuba's grief, Niobe dissolving in tears, Hyperion's beauty
  • The Player's Speech reworks Golding's Ovid almost directly (the ~200 lines on Hecuba's tragedy, Met. 13)
  • Hecuba is named four times — more than in any Shakespeare play but Troilus — proof of how heavily Ovid sits behind the tragedy

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