How The Lusiads drew on Metamorphoses

A documented line of influence: Luís de Camões demonstrably engaged Ovid’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Lusiads’s page

  • The poem's most unforgettable figure — Adamastor, the Titan turned into the rock of the Cape by a love he could not have — is built on Ovid's machinery of metamorphosis
  • Camões was as good a reader of the Metamorphoses as of Virgil; reading Ovid first shows you the tradition Adamastor competes with, body undone into landscape by frustrated desire

On Metamorphoses’s page

  • Camões read Ovid as closely as he read Homer and Virgil — and it shows in his boldest invention
  • Adamastor, the spurned giant petrified into the Cape of Good Hope, is a pure Ovidian metamorphosis: thwarted love turning a body into stone
  • It's Camões competing with Ovid on his own ground, driving the whole mythological machinery of the epic with a transformation Ovid would have recognized

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