How The Two Gentlemen of Verona drew on Metamorphoses

A documented line of influence: William Shakespeare demonstrably engaged Ovid’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

Relevance
7/10

On The Two Gentlemen of Verona’s page

  • The faithless Proteus is named for Ovid's god who could not hold a single shape — his changeable heart is the joke built into the name
  • Shakespeare laces the play with the Metamorphoses: Silvia mirrored against Ovid's Philomela, a Phaeton reference dropped in for those who'd read their Ovid
  • Knowing the source myths first makes the early Shakespeare's borrowing visible — this is a poet steeped in Ovid before he was Shakespeare

On Metamorphoses’s page

  • Ovid's shape-shifting sea-god Proteus lent his name and his slippery nature to Shakespeare's fickle lover
  • The play threads in Ovidian myth throughout — Silvia echoing Philomela through the nightingale, explicit Phaeton allusions
  • One of the clearest places to watch a young Shakespeare reaching straight for the Metamorphoses

More connections