How Confessions drew on Psalms

A documented line of influence: Augustine of Hippo demonstrably engaged David’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Confessions’s page

  • Augustine writes the entire Confessions as one long prayer in the voice of the Psalms
  • David's lines are the grammar of the book — its address to God, its lament, its praise are all psalmic; Book 9 records Augustine's delight on first praying the Psalter himself
  • Read a handful of Psalms first and the Confessions stops sounding like memoir and starts sounding like what it is: a sinner answering David

On Psalms’s page

  • The prayer-book Augustine reaches for when he invents the autobiography
  • His Confessions opens inside the Psalter and stays there — David's Psalms are quoted more than every other Old Testament book put together
  • Augustine shapes the whole work as psalmic prayer: not a story told about God but one addressed to him, in David's borrowed voice

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