How Confessions drew on Robinson Crusoe

A documented line of influence: Jean-Jacques Rousseau demonstrably engaged Daniel Defoe’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Confessions’s page

  • Rousseau frames his own life through Defoe's — calling himself "another Robinson Crusoe" as he settles into quarantine in the lazaretto
  • He prized Robinson Crusoe above all books in Emile, the one fit reading for a natural education; in the Confessions he simply becomes its hero
  • Read Crusoe's solitude first and you see the self-image Rousseau is borrowing to dramatize his own

On Robinson Crusoe’s page

  • Defoe's solitary survivor became a self-image other men reached for — in his Confessions Rousseau calls himself "another Robinson Crusoe," arranging his 21-day quarantine in the lazaretto
  • Rousseau had already crowned Robinson Crusoe the one book his Emile may read — "the most felicitous treatise on natural education"
  • The castaway alone with his ingenuity became the template for the self-sufficient modern self

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