How Titus Andronicus drew on The Aeneid

A documented line of influence: William Shakespeare demonstrably engaged Virgil’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Titus Andronicus’s page

  • The Roman revenge play is built on Virgil — Titus shadows Aeneas, and Tamora shadows Dido, who is named twice
  • Alarbus's ritual sacrifice grimly recalls Aeneid XI, and Aeneas's account of Troy's fall is woven directly in
  • Read Virgil first and you see what Shakespeare is darkening: the epic's pious hero turned loose into cruelty

On The Aeneid’s page

  • Virgil's epic furnishes the dark frame for Shakespeare's bloodiest play
  • In Titus Andronicus, Titus is aligned with Aeneas and Tamora with Dido — named twice — while Aeneas's own narration of Troy's fall is echoed directly
  • Watch the Aeneid's pietas, Virgil's sacred duty, curdle into barbarism on the Roman stage

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