How Vanity Fair drew on The History of Tom Jones, a Foundling

A documented line of influence: William Makepeace Thackeray demonstrably engaged Henry Fielding’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Vanity Fair’s page

  • That intrusive, knowing narrator who keeps interrupting Vanity Fair to lecture you — Thackeray took the technique directly from Fielding's Tom Jones
  • He said as much, praising Fielding in his 1853 lectures on the eighteenth-century humourists; scholarship names Tom Jones as this book's structural and stylistic model
  • Read Tom Jones first and "A Novel Without a Hero" reads as the rebuttal it is — Thackeray rejecting the lovable scapegrace Fielding asked you to forgive

On The History of Tom Jones, a Foundling’s page

  • Fielding's chatty, intrusive narrator — stepping out from behind the story to comment, judge, and steer — is the model Thackeray inherited a century later for Vanity Fair
  • Thackeray venerated him publicly, devoting part of his 1853 lectures on The English Humourists of the Eighteenth Century to Fielding
  • But Vanity Fair is also an argument with Tom Jones: Thackeray subtitled his book "A Novel Without a Hero" precisely because he thought Fielding's flawed foundling was no one to admire

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