How War and Peace drew on The Life and Opinions of Tristram Shandy, Gentleman

A documented line of influence: Leo Tolstoy demonstrably engaged Laurence Sterne’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On War and Peace’s page

  • When the narrator of War and Peace stops the war to lecture you on what really drives history, that habit traces back to Sterne
  • Tolstoy counted Tristram Shandy's author as a formative influence and translated his work — the digressive, self-interrupting form is the acknowledged precursor to these philosophical excurses
  • Read Sterne first and Tolstoy's swerves stop looking like flaws and start looking like inheritance

On The Life and Opinions of Tristram Shandy, Gentleman’s page

  • Tolstoy named Sterne among the writers who most strongly impressed him early on, and translated A Sentimental Journey as a young man
  • Sterne's narrator who can't stop interrupting himself — looping back, philosophizing, refusing to just tell the story — is the seed of the great digressive engine in War and Peace
  • The shape goes forward: those author-intruding swerves become Tolstoy's long excursions on history and free will

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