Princess Parizade Bringing Home the Singing Tree

The Arabian Nights

Influence67th pct
Popularity69th pct
Medieval

Read this if you…

  • want awesome Middle Eastern magical stories with genies and stuff
  • want the original source for Aladdin, Sinbad, Ali Baba etc
  • like stories within stories within stories within
  • like the concept of a lady telling such a good story that she doesn't get murdered because the story is so good that her killer wants to hear more of the story rather than murder her
  • bite sized short stories, no way to read them all, can come and go

Skip this if you…

  • want 1 sustained narrative
  • don't want highly sexual/adult content
  • don't want to start something you will never fully finish (I have read hours and hours, and not close to ever finishing, but i have read "the highlights")

The Groblé Take

Best super old literature I ever read. Awesome mix of fairytale, fable, religious, love, fantasy, scheming murder. Love the story within a story within a story . I read the zipes Burton compilations, 1 and 2. Fantastic. Adult material and some crazy stuff in there

Connections

The lineage through The Arabian Nights

What It Shapedwhat it set in motionThe Arabian NightsThe Count of Mo…David Copperfie…Jane EyreDracula

  • The Count of Monte Cristo by Alexandre Dumas. The Arabian Nights shaped it. - Dumas gilded his revenge plot with your treasure-cave magic — the chapter where his hero claims his fortune is literally titled "Sinbad the Sailor" - The Count styles himself a Sinbad, gets called an Ali Baba on finding the cave, and his island retreat is praised as "something out of *The Arabian Nights*" - Through Galland's French *Mille et une nuits*, your tales gave the 19th-century novel its sense of fabulous, limitless wealth
  • David Copperfield by Charles Dickens. The Arabian Nights shaped it. - Ackroyd calls the *Arabian Nights* arguably the most important of all literary influences on Dickens — and *David Copperfield* wears that debt on its sleeve - David names 'the Arabian Nights, and the Tales of the Genii' among the books that keep him alive in a bleak childhood (Ch. 4) - At Salem House the boys stage 'regular Arabian Nights,' with David cast as a small Scheherazade telling tales to survive the night (Ch. 7)
  • Jane Eyre by Charlotte Brontë. The Arabian Nights shaped it. - Childhood reading for the Brontë children, pulled off their father's parsonage shelves - Charlotte folded the *Nights* into *Jane Eyre* directly — Jane names them among her own girlhood books, and their tales of genii and enchantment color how the novel imagines escape and transformation - The wonder-tale machinery that runs quietly under a Yorkshire governess's story
  • Dracula by Bram Stoker. The Arabian Nights shaped it. - Scheherazade's dawn-broken frame tale gave Stoker a model for his fragmentary diary form - He has Harker write that his captivity "seems horribly like the beginning of the Arabian Nights, for everything has to break off at cockcrow" — a knowing nod across a thousand years
Gallery

Depicted in Art

Parizade rides a white horse along a cliff path, the magical singing tree balanced before her against an immense sky.

Maxfield Parrish, 1906

The sleeping prince Camaralzaman and Badoura are laid side by side on a couch as the jinn and jinnia compare their beauty.

Edmund Dulac, 1913

Scheherazade reclines in a richly patterned Persian interior, beginning her nightly tale to the unseen sultan.

Edmund Dulac, 1907

Sindbad and his companions crouch behind rocks on a rocky shore, watching the one-eyed giant slumber by a fire.

Maxfield Parrish, 1907

Scheherazade leans in to address the king on a curtained bed; her sister Dinarzad waits at the foot.

Marie-Éléonore Godefroid

Ali Baba's brother Cassim stands trapped among heaped treasure inside the thieves' luminous cavern, the door sealed behind him.

Maxfield Parrish, 1909

Aladdin, kneeling in a torchlit underground vault, watches a vast genie unfurl into the cavern's vaulted dark.

Albert Letchford, 1897

The half-petrified king sits motionless on a marble throne, draped in robes, his lower body turned to black stone.

Maxfield Parrish, 1906

Editions

Recommended Editions

#1Top Pick$9.95$9.27

Richard Francis Burton, ed. Jack Zipes

Signet Classics · 1991

Jack Zipes selects from Burton's 1885 unexpurgated version and writes a folklorist's introduction that places the cycle in its actual history. You get Burton's ornate, rhythmic, lurid Victorian English without the 16-volume commitment.

Compare all 3 translations →

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Notable Quotes

Open, Sesame!

The magic words to open the robbers' cave, Ali Baba and the Forty Thieves · trans. Andrew Lang
AcclaimPraised by 9 notable voices
  • Stendhal (Marie-Henri Beyle), French novelist, 1783–1842: Stendhal wished he could forget the Thousand and One Nights so he could read it again for the first time.
  • Jorge Luis Borges, Argentine writer, poet & essayist, 1899–1986: "It is a book so vast that it is not necessary to have read it, for it is a part of our memory."
  • William Wordsworth, English Romantic poet & Poet Laureate, 1770–1850: "A precious treasure had I long possessed, A little yellow, canvas-covered book, A slender abstract of the Arabian tales."
  • Samuel Taylor Coleridge, English Romantic poet & critic, 1772–1834: "The Arabian Nights' tale of the merchant sitting to eat dates, throwing the shells aside, and lo! a genie starts up."
  • W. B. Yeats, Irish poet & Nobel laureate, 1865–1939: Asked which six books had satisfied him most, Yeats placed the Arabian Nights second only to Shakespeare.
  • Salman Rushdie, British-Indian novelist, b. 1947: Choosing the Nights for Desert Island Discs, Rushdie called it the one book that contains all other stories.
  • Marcel Proust, French novelist, 1871–1922: In Time Regained, Proust likens his own great book to the Thousand and One Nights, casting himself as a Scheherazade writing against death.
  • Henri Matisse, French painter & cut-out artist, 1869–1954: At eighty, bedridden, Matisse made a twelve-foot gouache cut-out, The Thousand and One Nights, embedding Scheherazade's Arabic dawn-refrain in the composition.
  • Nikolai Rimsky-Korsakov, Russian composer, 1844–1908: "Separate, unconnected episodes and pictures from The Arabian Nights… the name connotes in everybody's mind the East and fairy-tale wonders."

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