Read this if you…
- want to read the oldest super famous lyric poet
- want to read the oldest super famous female author (of course this is debatable who's oldest and whos famous)
- want to know where words "lesbian" and "sapphic" come from
- like reading something that barely survived, basically just a bunch of fragments, not that coherent
Skip this if you…
- want poetry that holds up to modern english poetry
- don't care about historical significance
The
Take
Great imagery, super short.Suddenly Dawn w golden sandals
The lineage through Sappho's Poems
- The Iliad by Homer. Sappho's Poems built on it. - Sappho writes against Homer as much as from him — her wedding of Hector and Andromache (fr. 44) is a deliberate intertext to *Iliad* 22, sung in epic style - The *Iliad* gives you the war that Sappho refuses: she recasts Helen not as a cause of slaughter but as a study in desire - Knowing Homer's grand machinery first makes Sappho's quiet preference — love over martial glory — land as the argument it is
- The Odes of Horace by Horatius. Sappho's Poems shaped it. - Sappho's Aeolic lyric became Horace's model — and his Latin debut - He adopts her meter directly: the Sapphic stanza carries 25 of the *Odes*' 103 poems - In *Odes* 1.1 and 3.30 Horace names Sappho and Alcaeus as his paradigms and boasts of being first to bring this Lesbian song into Latin — the surest measure of how far her example reached
- Phaedrus by Plato. Sappho's Poems shaped it. - Plato names you in the *Phaedrus* — "the lovely Sappho" at 235c, cited as one of the wise on love before Socrates dares his own speech - Sappho 31's physiology of desire — the body undone by the sight of the beloved — feeds directly into Socrates' great second speech on erotic madness - Plato called her the tenth Muse; here her lyric account of eros becomes the seed of philosophy's
Depicted in Art
Sappho seated in profile in a classical garden, lyre on her lap, gazing past the viewer in quiet thought.
Amanda Brewster Sewell, 1891
Sappho seated at the foot of Parnassus with her name on a scroll, lyre in hand, among the assembled poets gathered around Apollo.
Raphael, 1511
Sappho seated in a white robe at a seaside cliff at dusk, lyre across her lap, head bowed, a crescent moon above.
Jules-Joseph Lefebvre, 1884
Tondo portrait of a young woman with gold-threaded hair pressing a stylus to her lips, four-leaf wax tablet held up in her other hand.
Sappho leans forward on tiered marble seats with her companions, rapt as the poet Alcaeus plays the kithara opposite her in an open-air Lesbian theatre.
Lawrence Alma-Tadema, 1881
Sappho seated on a marble bench in a colonnaded interior, lyre held loosely, head turned toward the viewer.
Jean-Léon Gérôme, 1899
Sappho seated with a scroll of verses on her knee; Phaon stands behind her with bow and spear while Cupid kneels offering up her lyre.
Jacques-Louis David, 1809
Sappho in a yellow robe leans in to embrace Erinna in pink on a curved stone bench in a Lesbian garden; doves perch on the wall behind, petals strewn around.
Simeon Solomon, 1864
Sappho reclining on a rocky outcrop in classical drapery, lyre at her side, gazing out to sea.
Hector Leroux
Recommended Editions

Anne Carson
Vintage · 2002
Carson's If Not, Winter prints every surviving fragment with the gaps left visible on the page, including single-word scraps. You read what survives and feel the holes. As much an object as a translation.
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Notable Quotes
He seems to me equal to the gods, that man who sits opposite you and listens close to your sweet speaking and lovely laughing.
Screen & Stage
Posters via The Movie Database (TMDB)
- Plato, Greek philosopher, c. 428–348 BCE: "Some say the Muses are nine, but how carelessly! Look, here is the tenth — Sappho of Lesbos."
- Strabo, Greek geographer and historian, c. 64 BCE–24 CE: "A marvellous woman; … I do not know of any woman who could rival Sappho, even in a slight degree, in the matter of poetry."
- Solon, Athenian lawgiver and poet, c. 630–560 BCE: Hearing his nephew sing one of Sappho's songs over wine, Solon begged to learn it — so that, he said, he might learn it and die.
- Virginia Woolf, English modernist novelist and essayist, 1882–1941: "Sappho was a woman, and Plato and Aristotle placed her with Homer and Archilochus among the greatest of their poets."
- Longinus, Greek literary critic, 1st–3rd c. CE: "Her peculiar excellence lies in the felicity with which she chooses and unites together the most striking and powerful features."
