How Anna Karenina drew on Madame Bovary

A documented line of influence: Leo Tolstoy demonstrably engaged Gustave Flaubert’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Anna Karenina’s page

  • The book Anna Karenina is arguing with — Tolstoy owned Madame Bovary (bound with Othello, both pinned to the adultery question) and called it, in 1892, justly famous
  • Scholarly consensus reads Tolstoy's novel as a deliberate response to Flaubert's
  • Read Madame Bovary first and Anna's tragedy reads as a rebuttal — the same act, weighed by a wholly different moral measure

On Madame Bovary’s page

  • The adultery novel Tolstoy answered back — he owned a copy bound together with Othello, the two filed under the same question
  • He wrote his wife in 1892 that Madame Bovary "has great merits and is, not without reason, famous"
  • Scholars read Anna Karenina as a deliberate polemic with Flaubert: the same fall, judged on entirely different terms

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