How The Odes of Horace drew on Sappho's Poems

A documented line of influence: Horatius demonstrably engaged Sappho’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Odes of Horace’s page

  • Behind Horace's most famous meter stands a poet of Lesbos
  • A quarter of the Odes are written in the Sapphic stanza, and Horace names Sappho and Alcaeus outright as the masters he set out to import
  • Read Sappho first and you'll hear what Horace is reaching for — the Aeolic lyric he claims (Odes 1.1, 3.30) to have carried into Latin before anyone else

On Sappho's Poems’s page

  • Sappho's Aeolic lyric became Horace's model — and his Latin debut
  • He adopts her meter directly: the Sapphic stanza carries 25 of the Odes' 103 poems
  • In Odes 1.1 and 3.30 Horace names Sappho and Alcaeus as his paradigms and boasts of being first to bring this Lesbian song into Latin — the surest measure of how far her example reached

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