How Troilus and Cressida drew on The Iliad

A documented line of influence: William Shakespeare demonstrably engaged Homer’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Troilus and Cressida’s page

  • Behind this sour, disillusioned war play stands Homer's Iliad, which Shakespeare knew through Chapman's 1598 translation
  • The bones are Homeric — Achilles sulking in his tent, Hector marching to his death — but Shakespeare strips out the heroism and lets Thersites jeer at all of it
  • Read the Iliad first and you feel exactly what Troilus and Cressida is corroding: the epic ideal of glory it refuses to grant

On The Iliad’s page

  • Shakespeare reached the Iliad through Chapman's 1598 translation — and turned it inside out
  • He kept the cast — Achilles' ruinous pride, Hector's tragedy — but soured the glory into satire, hanging the foul-mouthed Thersites at the center as a chorus of disgust
  • Troilus and Cressida is what the Iliad looks like when a cynic retells it: the same war, none of the honor

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