Read this if you…
- loved the Iliad/ Trojan war stuff
- are checking the box of shakespeare plays, there are better plays
Skip this if you…
- aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
- foolishly think shakespeare is overrated
- haven't already read the classic tragedies
Why It Matters
Shakespeare took the Trojan War and scraped off all the heroism, leaving a bitter, satirical play about how war makes fools of everybody. It won't sit in a genre, too cynical for comedy and too absurd for tragedy, and its sour view of heroism and love feels more modern than anything else he wrote. It was ignored for centuries and has become one of his most-staged plays in the 21st.
The
Take
Quality Shakespeare weaving in a tragic dark love story within the story of the Iliad, pretty fun, not amazing
The lineage through Troilus and Cressida
- The Canterbury Tales by Geoffrey Chaucer. Troilus and Cressida built on it. - Shakespeare drew the play's plot directly from Chaucer's *Troilus and Criseyde* — he knew Chaucer's work intimately - The disillusioned love story is Chaucer's; Shakespeare just sharpens the cynicism - Chaucer's range — the comedy, the romance, the cutting irony — is the soil this play grew in
- The Iliad by Homer. Troilus and Cressida built on it. - Behind this sour, disillusioned war play stands Homer's *Iliad*, which Shakespeare knew through Chapman's 1598 translation - The bones are Homeric — Achilles sulking in his tent, Hector marching to his death — but Shakespeare strips out the heroism and lets Thersites jeer at all of it - Read the *Iliad* first and you feel exactly what *Troilus and Cressida* is corroding: the epic ideal of glory it refuses to grant
- Metamorphoses by Ovid. Troilus and Cressida built on it. - Shakespeare's deflated Ajax — "a dolt and grossehead" — and his scheming Ulysses owe as much to Ovid as to Homer - The source is Ovid's "Judgement of Arms" (Book 13), the contest where eloquence beats raw strength: read it first and the play's poisoned rhetoric lands sharper - Golding's *Metamorphoses* was one of Shakespeare's favorite books; this play is him turning Ovid's brute-and-rhetorician pair against the heroic myth itself
Depicted in Art
Cressida flirts with Diomedes outside the Greek tents while Troilus, restrained by Ulysses, watches in agony from the shadows.
Angelica Kauffmann, 1789
The lovers meet in Pandarus's orchard, embracing under the trees as Cressida yields to Troilus's vows.
Edward Henry Corbould, 1873
Engraved print of Kauffmann's Act V scene — Troilus held back by Ulysses as Diomedes courts Cressida in the Greek camp.
Luigi Schiavonetti (after Angelica Kauffmann), 1795
Chaucer reads from a podium before Richard II and the assembled court; widely identified as the frontispiece to his Troilus.
Unknown English illuminator, 1415
A more erotic reading of the same scene: Cressida leans into Diomedes with her bodice loosened while Troilus seethes in the background.
James Neagle (after Henry Fuseli), 1804
The lovers seated together in Pandarus's garden, Cressida looking down as Troilus speaks; an intimate Victorian rendering.
Valentine Walter Bromley
Manuscript illumination of Pandarus speaking to a grieving Criseyde, who lies weeping on her bed in a curtained chamber.
Recommended Editions

Folger Shakespeare Library
2007
Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise google, without breaking the scene to do it.
SparkNotes (No Fear Shakespeare)
2003
Please support us by purchasing through these links, at no extra cost to you!
Deep Dive
What It's About
This summary gives away plot details.
Notable Quotes
“One touch of nature makes the whole world kin.”
“Take but degree away, untune that string, And, hark, what discord follows!”
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