Diomed and Cressida (Act V, Scene ii)

Troilus and Cressida

Influence18th pct
Popularity17th pct
Shakespeare

Read this if you…

  • loved the Iliad/ Trojan war stuff
  • are checking the box of shakespeare plays, there are better plays

Skip this if you…

  • aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
  • foolishly think shakespeare is overrated
  • haven't already read the classic tragedies

The Groblé Take

Quality Shakespeare weaving in a tragic dark love story within the story of the Iliad, pretty fun, not amazing

Connections

The lineage through Troilus and Cressida

Built Onwhat came beforeTroilus and CressidaThe Canterbury…The IliadMetamorphoses

  • The Canterbury Tales by Geoffrey Chaucer. Troilus and Cressida built on it. - Shakespeare drew the play's plot directly from Chaucer's *Troilus and Criseyde* — he knew Chaucer's work intimately - The disillusioned love story is Chaucer's; Shakespeare just sharpens the cynicism - Chaucer's range — the comedy, the romance, the cutting irony — is the soil this play grew in
  • The Iliad by Homer. Troilus and Cressida built on it. - Behind this sour, disillusioned war play stands Homer's *Iliad*, which Shakespeare knew through Chapman's 1598 translation - The bones are Homeric — Achilles sulking in his tent, Hector marching to his death — but Shakespeare strips out the heroism and lets Thersites jeer at all of it - Read the *Iliad* first and you feel exactly what *Troilus and Cressida* is corroding: the epic ideal of glory it refuses to grant
  • Metamorphoses by Ovid. Troilus and Cressida built on it. - Shakespeare's deflated Ajax — "a dolt and grossehead" — and his scheming Ulysses owe as much to Ovid as to Homer - The source is Ovid's "Judgement of Arms" (Book 13), the contest where eloquence beats raw strength: read it first and the play's poisoned rhetoric lands sharper - Golding's *Metamorphoses* was one of Shakespeare's favorite books; this play is him turning Ovid's brute-and-rhetorician pair against the heroic myth itself
Gallery

Depicted in Art

Cressida flirts with Diomedes outside the Greek tents while Troilus, restrained by Ulysses, watches in agony from the shadows.

Angelica Kauffmann, 1789

The lovers meet in Pandarus's orchard, embracing under the trees as Cressida yields to Troilus's vows.

Edward Henry Corbould, 1873

Engraved print of Kauffmann's Act V scene — Troilus held back by Ulysses as Diomedes courts Cressida in the Greek camp.

Luigi Schiavonetti (after Angelica Kauffmann), 1795

Chaucer reads from a podium before Richard II and the assembled court; widely identified as the frontispiece to his Troilus.

Unknown English illuminator, 1415

A more erotic reading of the same scene: Cressida leans into Diomedes with her bodice loosened while Troilus seethes in the background.

James Neagle (after Henry Fuseli), 1804

The lovers seated together in Pandarus's garden, Cressida looking down as Troilus speaks; an intimate Victorian rendering.

Valentine Walter Bromley

Manuscript illumination of Pandarus speaking to a grieving Criseyde, who lies weeping on her bed in a curtained chamber.

Editions

Recommended Editions

#1Top Pick

Folger Shakespeare Library

2007

Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise google, without breaking the scene to do it.

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Notable Quotes

One touch of nature makes the whole world kin.

Ulysses, Act III scene iii
Adaptations

Screen & Stage

Posters via The Movie Database (TMDB)

AcclaimPraised by 3 notable voices
  • Joyce Carol Oates, American novelist & critic, b. 1938: "Troilus and Cressida, that most vexing and ambiguous of Shakespeare's plays, strikes the modern reader as a contemporary document."
  • George Bernard Shaw, Irish playwright & critic, 1856–1950: Shakespeare treated the heroic story as an iconoclast treats an idol — and in Cressida he drew his first real woman.
  • Harold Bloom, Yale literary critic, 1930–2019: "It is the most difficult and elitist of all his works."

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