Falstaff, Prince Henry and Poins at the Boar's Head Tavern (engraved by Robert Thew)

King Henry IV, Part 1

Influence23rd pct
Popularity24th pct
Shakespeare

Read this if you…

  • want Falstaff's best play
  • want some of Shakespeare's best prose (though I think his verse is way better, so idc about his prose)
  • want a top 3 Shakespeare History play

Skip this if you…

  • aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
  • foolishly think shakespeare is overrated

Why It Matters

Shakespeare invented the greatest comic character in English literature here, Falstaff, and built around him a play about fathers, sons, and what it takes to train a future king. The Hal-Falstaff-Henry triangle is the richest set of relationships in the history plays. After this, a history play could do things with psychology and humor nobody had asked of it before.

The Groblé Take

Falstaff is an awesome character, but overall the storyline didn’t really grab me. Falstaff was the only character I was really interested in. Hotspur was alright

Connections

The lineage through King Henry IV, Part 1

Built Onwhat came beforeKing Henry IV, Part…The Gospels

  • The Gospels by Matthew. King Henry IV, Part 1 built on it. - Prince Hal is the Prodigal Son in a tavern — knowing Luke 15 first tells you exactly where his slumming is headed - Falstaff name-checks the Gospels constantly: soldiers 'as ragged as Lazarus' (Dives and Lazarus, Luke 16), 'tattered prodigals' down to husks (Luke 15) - Shakespeare's audience heard the parables under every scene; the redemption arc is the parable of the wayward son, scaled up to a crown
Gallery

Depicted in Art

The Boar's Head Tavern in Eastcheap; a corpulent Falstaff gesticulates as he tells his fabricated story of the Gadshill robbery while Prince Hal and Poins look on, amused.

Robert Smirke, 1796

Falstaff, sword drawn for emphasis, recounts his wildly inflated version of the Gadshill robbery to Prince Hal and Poins at the tavern.

Thomas Stothard, 1827

The frail recruit Wart shoulders a musket while Bardolph and Falstaff drill him in front of an amused Justice Shallow on a country lane.

John Cawse, 1827

Compositional drawing of Falstaff holding court at the Boar's Head Tavern in Eastcheap, surrounded by his hangers-on.

Robert Smirke, 1807

Costumed actors Dowton (as Falstaff, drinking) and Smith (as red-nosed Bardolph) caught in a moment of stage business.

George Clint, 1815

A theatrical group portrait — Falstaff at center, mid-boast, with Prince Hal and Poins ready to spring the trap of their counter-narrative.

George Clint, 1833

Falstaff points and laughs at Bardolph's famously inflamed red nose, comparing it to a death's-head or a hellfire-warning lamp.

John Cawse

Editions

Recommended Editions

#1Top Pick$9.99$9.31

Folger Shakespeare Library

2004

Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise Google, without breaking the scene to do it.

#2

SparkNotes (No Fear Shakespeare)

2004

$12.99$12.11Buy
#3

Arden Shakespeare

2002

$20.64Buy

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Deep Dive

What It's About

Spoiler warning

This summary gives away plot details.

Notable Quotes

The better part of valour is discretion.

Falstaff, Henry IV, Part 1

The better part of valour is discretion; in the which better part I have saved my life.

Falstaff, Act V scene iv

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