Read this if you…
- like exploring art that has most people think is totally immoral/problematic now (almost more fun reading this knowing its messed up)
- have already read the best shakespeare comedies and are checking boxes, still some shakespeare gold in there
Skip this if you…
- aren't willing to go slow, read notes, look up analyses of famous passages (only way to "get" shakespeare)
- foolishly think shakespeare is overrated
- haven't read the classic comedies yet
- don't like misogynistic themes
The
Take
Lots of funny scenarios, payoff is a little dated, but still pretty funny. Petruchio is a very compelling character
The lineage through The Taming of the Shrew
- Metamorphoses by Ovid. The Taming of the Shrew built on it. - Shakespeare frames the play's theme of transformation through Ovid from the very first scene — Sly's chamber is decorated with painted episodes from the *Metamorphoses*, Io and Daphne among them - Scholars call the *Metamorphoses* Shakespeare's favorite book, and the *Shrew* is one of the places it shows most - Read Ovid's tales of bodies and selves remade and you'll catch what the staging is quietly doing underneath the comedy
Depicted in Art
Petruchio confronts the tailor over Katherina's gown while she sits between them; the tailor recoils as Petruchio rejects the garment.
Washington Allston, 1809
Petruchio leans in the doorway controlling the room while Katherine turns her face away in contempt during Act II's first wooing scene.
Robert Braithwaite Martineau, 1855
Katherine sits frustrated as Petruchio waves the haberdasher and tailor away, refusing the cap and gown brought for her.
Charles Robert Leslie, 1832
The drunken tinker Sly sprawled before the bemused Lord and his servants in the play's Induction scene.
William Quiller Orchardson, 1867
Petruchio drags Katherine away from the wedding breakfast while Baptista, Bianca, and the guests protest behind them.
Francis Wheatley, 1795
A crowded Renaissance wedding feast with Petruchio and Katherine at the table, guests reacting to his outrageous behaviour.
Carl Gehrts, 1885
Recommended Editions

Folger Shakespeare Library
2004
Folger's the readable one. Text on one page, notes on the facing page, written in plain English instead of textbook-speak. Catches every word and reference you'd otherwise Google, without breaking the scene to do it.
Please support us by purchasing through these links, at no extra cost to you!
Notable Quotes
Why, there's a wench! Come on, and kiss me, Kate.
Screen & Stage
Posters via The Movie Database (TMDB)
- Samuel Johnson, English critic & lexicographer, 1709–1784: "The part between Catharine and Petruchio is eminently sprightly and diverting."
- Cole Porter, American composer & lyricist, 1891–1964: Reluctant at first, Porter turned the play into Kiss Me, Kate (1948) — his only show to top 1,000 Broadway performances and the first winner of the Tony for Best Musical.
- Meryl Streep, actor, 1949-: Playing Katherina in 1978, Streep read Kate and Petruchio as driven by passion and love, not simple domination.
- Harold Bloom, literary critic, Yale professor, 1930–2019: "Their final shared reality is a kind of conspiracy against the rest of us."
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