How The Frogs drew on The Persians

A documented line of influence: Aristophanes demonstrably engaged Aeschylus’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Frogs’s page

  • When Aristophanes wants to caricature Aeschylean gravity, he reaches straight for The Persians
  • Dionysus parodies its dirge over the dead Darius, the chorus's wailing and all — the joke only lands if you've felt how heavy that lament is
  • Aeschylus's own boast here, that The Persians made Athens hungry for victory, is quoted back to him in the poets' contest

On The Persians’s page

  • The tragedy Aeschylus is proudest of — and Aristophanes knew it
  • In The Frogs, the dead Aeschylus invokes The Persians as his civic masterpiece, the play that "taught Athens to yearn to beat the enemy"
  • Its great necromantic lament for King Darius ("O child of Darius, who is dead") becomes the very solemnity Aristophanes drags into the underworld to mock

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