How Middlemarch drew on The Pilgrim's Progress

A documented line of influence: George Eliot demonstrably engaged John Bunyan’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Middlemarch’s page

  • Eliot heads Chapter 85 of Middlemarch with Bunyan — the trial of Faithful, lifted straight from Vanity Fair
  • The Pilgrim's Progress was the book of her Midlands girlhood, and she kept this epigraph when she cut others, so it's no idle ornament
  • Reading Bunyan first lets you hear what Eliot is doing: setting a worldly courtroom against the Protestant allegory of a soul on trial

On The Pilgrim's Progress’s page

  • The Protestant text of Eliot's Midlands childhood, surfacing in her greatest novel a century and a half later
  • She quotes the trial of Faithful from Bunyan's Vanity Fair as the epigraph to Middlemarch Chapter 85 — one of the few she kept when she pruned the rest in later editions
  • A deliberate reach back to The Pilgrim's Progress to frame a moment of judgment and worldly disgrace

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