How Thus Spoke Zarathustra drew on Faust, Part Two

A documented line of influence: Friedrich Nietzsche demonstrably engaged Johann Wolfgang von Goethe’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Thus Spoke Zarathustra’s page

  • Zarathustra sets itself against Faust directly — Goethe was the one German Nietzsche held as a near-realization of the Übermensch
  • Goethe's closing "the Eternal Feminine draws us upward" is the line Nietzsche borrows and inverts, pulling the gaze down toward the earth and the eternal return
  • Read Faust's ending first and you'll hear exactly what Nietzsche is answering

On Faust, Part Two’s page

  • Goethe was Nietzsche's near-Übermensch — the figure he revered above all others in German culture
  • Faust, Part Two ends "the Eternal Feminine draws us upward"; Nietzsche takes that very line and turns its pull back toward the earth
  • Zarathustra alludes to Faust throughout — Nietzsche named the two works as the closest German literature has

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