How Faust, Part Two drew on The Iliad

A documented line of influence: Johann Wolfgang von Goethe demonstrably engaged Homer’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Faust, Part Two’s page

  • The woman at the center of the Helen act is Homer's Helen of Troy — the prize and the cause of the war the Iliad sings
  • Goethe, who memorized Homer young, threads the work with Homeric allusion and stages Helen's return from Troy to Sparta
  • Read the Iliad first and you arrive at Faust's marriage to Helen knowing exactly what she has already cost the world

On The Iliad’s page

  • Goethe had Homer by heart from childhood — and in Faust, Part Two he reaches all the way back to the war the Iliad is fought over
  • The entire Helen act picks up Homer's matter at Menelaus's palace in Sparta, casting Helen of Troy as its heroine
  • The face that launched the thousand ships becomes Goethe's, summoned back from the dead to marry Faust

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