How The Decameron drew on Metamorphoses

A documented line of influence: Giovanni Boccaccio demonstrably engaged Ovid’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Decameron’s page

  • Boccaccio learned his trade on Ovid in Naples, and contemporaries called him "the Italian Ovid"
  • Reading the Metamorphoses first tunes your ear to what the Decameron does with love — the same ironic, transforming desire, now dressed in plague-time Florentine clothes
  • Not the closest source (Apuleius and the fabliaux are nearer), but the Ovidian love-and-change matter is woven through the framing and the tales

On Metamorphoses’s page

  • Boccaccio was nicknamed "the Italian Ovid" — and he earned it before the Decameron, reworking Ovidian myth in his vernacular romances
  • Ovid's great matter of love and transformation runs underneath Boccaccio's hundred tales: desire that changes the people it seizes
  • The closer tale-sources are Apuleius and the fabliaux, but the ironic, knowing posture toward love — the lover-physician, the cure that wounds — is pure Ovid

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