How All's Well That Ends Well drew on The Decameron

A documented line of influence: William Shakespeare demonstrably engaged Giovanni Boccaccio’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On All's Well That Ends Well’s page

  • The entire plot comes straight from one of Boccaccio's tales — Giletta di Narbona, Decameron Day 3, Novella 9
  • The king's cure, the rejected husband, the bed-trick: Shakespeare took them whole from Boccaccio via William Painter's English Palace of Pleasure
  • Read the source tale and you see exactly what Shakespeare kept, and what he darkened into something stranger

On The Decameron’s page

  • Boccaccio's tale of Giletta di Narbona (Day 3, Novella 9) is the whole skeleton of All's Well — the king's miraculous cure, the spurned husband, the bed-trick
  • Shakespeare reached it through William Painter's English Palace of Pleasure, the standard route for Italian tales into Elizabethan drama
  • One of the Decameron's stories handed Shakespeare a complete, ready-made plot

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