How King Lear drew on Job

A documented line of influence: William Shakespeare demonstrably engaged Unknown’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On King Lear’s page

  • Behind the heath stands Job — the great man broken, demanding an answer the universe won't give
  • Shakespeare reworks Job's theodicy into theater: the innocent's suffering (Cordelia for Job), the formidable figure reduced to rags and questions
  • Read Job first and Lear's storm-speeches sound like a man asking what the whirlwind never quite answered

On Job’s page

  • Lear is Shakespeare's Job — the formidable man stripped to nothing, raging at heaven on open ground
  • Both stage the same hard question: why does the innocent suffer? Cordelia's undeserved end is Job's torment made dramatic
  • Harold Bloom calls Lear "manifestly influenced by" Job, and the kinship runs deep enough to carry a whole chapter, "The Patience of Lear"

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