How Wuthering Heights drew on King Lear

A documented line of influence: Emily Brontë demonstrably engaged William Shakespeare’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

Relevance
8/10

On Wuthering Heights’s page

  • The only secular work Brontë names in the whole novel — Lockwood's threats, he says, "smacked of King Lear," a wink at the play behind the book
  • Brontë was reading her father's Shakespeare as she wrote, and Heathcliff's revenge and storm-driven madness run on Lear's engine: a great house wrecked by its own inheritance
  • Read the play first and Heathcliff reads less like a Gothic villain and more like Lear's heir — wronged, vengeful, raging at the weather

On King Lear’s page

  • The one secular book Emily Brontë names inside Wuthering Heights — Lockwood says his threats "smacked of King Lear"
  • Brontë had the run of her father's Shakespeare and is reported to have been reading Lear as she wrote; its storm-lashed madness and inheritance-poisoned revenge are stamped all over Heathcliff
  • Lear gave her the template for a tragedy of houses torn apart from within — bloodline, betrayal, and a man raging on the moor

More connections