How Moby-Dick or, The Whale drew on King Lear

A documented line of influence: Herman Melville demonstrably engaged William Shakespeare’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On Moby-Dick or, The Whale’s page

  • Ahab didn't come from nowhere — Melville consciously built him on Shakespeare's tragic heroes, Lear foremost
  • He had just bought and heavily annotated a seven-volume Shakespeare set when he wrote Moby-Dick, and Lear was among his most marked plays
  • Read Lear first and Ahab's grandeur reads true: the great man cracking himself against an indifferent universe, raging at the storm

On King Lear’s page

  • Ahab is a Shakespearean tragic hero by design — built on the Lear/Macbeth model of the great man undone by his own will
  • Melville bought a seven-volume Shakespeare set in early 1849, his "edition in glorious great type," and marked Lear more heavily than almost any other play
  • Scholars credit Lear with the deepest creative impact on him — its storm, its rage against the heavens, its ruined king all surface again on the Pequod

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