How The Rape of the Lock drew on Selected Poems

A documented line of influence: Alexander Pope demonstrably engaged John Dryden’s work. The commentary below is Gröblé’s, verbatim from each work’s page.

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On The Rape of the Lock’s page

  • Pope didn't invent the mock-heroic — he inherited it from Dryden, whom he venerated as his master
  • Dryden's Mac Flecknoe set the template: epic grandeur turned on a subject that can't bear the weight, played for satire
  • Read it first and you see exactly the line Pope is standing on — the heroic couplet honed into a comic scalpel

On Selected Poems’s page

  • Dryden's Mac Flecknoe is the first great mock-heroic poem in English — the form Pope would perfect
  • It taught the whole trick: deploy the full machinery of epic on something gloriously trivial, and let the gap do the comedy
  • Pope called Dryden his master — and The Rape of the Lock is what a master's pupil builds next

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