Read this if you…
- are into France for some messed up reason
- want to read one of the epic poems that's not as good as the others
- like knights and bravery and stuff
Skip this if you…
- haven't read all the best epics already
- are turned off by overly biased christian vs muslim theme
The 
Take
Super quick and easy chivalric poem, classic knight and bravery stuff
The lineage through The Song of Roland
- The Gospels by Matthew. The Song of Roland built on it. - *The Song of Roland* is built on the Gospel passion — read the betrayal and death of Christ first and the chanson's shape clicks into place - Roland's death recalls the Passion, his twelve companions the Twelve Apostles, and the emir's temptation Satan's offer to Jesus in Matthew 4 - Ganelon is the poem's Judas: the Gospels gave the medieval imagination its archetype of the traitor, and Roland's poet spends it here
Depicted in Art
A multi-episode panel compressing the Battle of Roncevaux into a single frame: ambush, combat, Roland blowing the horn, his death, Charlemagne's discovery.
Simon Marmion
Charlemagne weeps over the body of Roland after the rear-guard is destroyed at Roncevaux.
Mounted knights of Charlemagne clash with Marsile's Saracen forces in dense, banner-filled combat; Roland visible among the Frankish ranks.
1490
Roland, exhausted and bloodied amid heaps of slain Saracens, raises the oliphant to his lips on a mountain ridge.
Gustave Doré, 1869
Roland fallen at Roncevaux, oliphant cracked beside him, with a winged figure or companion attending.
Roland mounted on Veillantif blows the oliphant, holding Durendal aloft, with Roland's Breach in the Pyrenees behind him.
Wolfgang von Bibra
Roland lies dying on the grass at Roncevaux, his oliphant beside him, as a companion mourns over his body.
Jean Fouquet, 1460
Recommended Editions
Glyn Burgess
Penguin Classics · 1990
Burgess gives you the poem's martial energy in clean prose, no fake-medieval gloss layered on top. His intro on Charlemagne's actual campaign and the chanson de geste tradition is the best short primer in print.
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Notable Quotes
The count Rollanz, though blood his mouth doth stain, / And burst are both the temples of his brain, / His olifant he sounds with grief and pain.
Screen & Stage
Posters via The Movie Database (TMDB)
- Napoleon III, Emperor of the French, 1808-1873: Imposed Mermet's Roland à Roncevaux on the Paris Opéra, turning Roland's last stand into a Second Empire spectacle.
- Dante Alighieri, Italian poet, author of the Divine Comedy, 1265–1321: Set Roland among the warrior-martyrs in the Heaven of Mars, beside Joshua, Judas Maccabaeus and Charlemagne.
- Gustave Doré, French artist and illustrator, 1832-1883: Painted Roland at Roncevaux—Durendal raised amid the slaughter—a great Romantic icon of the medieval epic.
- Éric Zemmour, French politician & essayist, b. 1958: Treats Roland as a founding myth of France in Destin français—a national memory he argues deconstruction has erased.
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