Unknown

Unknown · Various

Naked came I out of my mother's womb, and naked shall I return thither: the LORD gave, and the LORD hath taken away; blessed be the name of the LORD.

Bible13 works in canonPoetry, Nonfiction
Influence90th pct
Popularity71st pct

Peak-work percentile in the canon.

InfluenceDrew from 3 · Inspired 11
Active period500 BCE – 1270 CE
Influence

The lineage through Unknown

Drew From(3)

who shaped Unknown

MosesBible

via Genesis

  • Beowulf's monsters are scriptural: Grendel is named a son of Cain, exiled kin of the man who slew Abel in Genesis 4
  • The Flood reappears engraved on a sword-hilt — the Beowulf poet binds his pagan world to the Bible's earliest stories
  • Knowing Genesis first explains why these creatures are cursed, not just frightening — they carry Cain's punishment
  • The Song of Roland is built on the Gospel passion — read the betrayal and death of Christ first and the chanson's shape clicks into place
  • Roland's death recalls the Passion, his twelve companions the Twelve Apostles, and the emir's temptation Satan's offer to Jesus in Matthew 4
  • Ganelon is the poem's Judas: the Gospels gave the medieval imagination its archetype of the traitor, and Roland's poet spends it here
VirgilAncient Rome

via The Aeneid

  • The Nibelungenlied's true sources are Germanic — the Nibelungensaga, with Norse cousins in the Poetic Edda and Völsunga Saga — not Virgil
  • But the poet knew his Latin, and elements of the Aeneid slip in: Kriemhild as the catastrophic beauty recalls Helen, reaching the German poem partly through Veldeke's Eneasroman
  • A borrowed accent, not a foundation — worth knowing where the classical color came from

Inspired(11)

who Unknown shaped

  • Job's opening wager is the blueprint for Faust's 'Prologue in Heaven'
  • Goethe rebuilt the scene where God and Satan bet over a faithful man — only now Mephistopheles stakes the soul of Faust, God's restless 'striving servant'
  • He even reaches for deliberately archaic, scriptural German to make the debt to the Hebrew original unmistakable
  • Blake returned to Job his whole life — he 'devoted himself to a perusal and reperusal' of it and Ezekiel, and personally identified with the suffering man
  • That obsession culminates in his 22 'Illustrations of the Book of Job' (1826), the summit of his pictorial engagement with the text
  • Job's whirlwind — God answering out of the storm with Behemoth and Leviathan — stands behind the terrifying maker of 'The Tyger'
  • Scholars call Job "the most informing single principle" of Moby-Dick's composition — the spine the whole book is built on
  • Melville hands Job's Leviathan straight to Ahab: the inscrutable beast and the silent, unanswerable God become the white whale and Ahab's doomed quarrel with the universe
  • His prose is soaked in scripture — 650+ biblical references, two-thirds of them Old Testament — and Job is the one he keeps coming back to
  • The book Dostoevsky called a lifelong touchstone — Job's argument with God runs straight into The Brothers Karamazov
  • In Book VI, Elder Zosima recalls hearing Job read aloud in church at eight years old — "the seed of God's word" planted in his heart — and builds a whole meditation on it
  • That scene is autobiographical: the suffering-and-faith problem Job poses is the one Dostoevsky spent his last novel wrestling to the ground
  • The doctrinal bedrock of Dante's Purgatorio — its whole engine of prayer for the dead rests on 2 Maccabees 12:43-46
  • Dante also mines it for exempla: Heliodorus, the temple-robber beaten by a horseman (2 Macc 3), is cried out by the avaricious penitents in Purgatorio XX
  • A short, fierce book of martyrdom and plunder that quietly supplied the Comedy with a theology and a cast of cautionary figures
  • Charlotte Brontë threaded Esther straight into the heart of Jane Eyre — Jane is her Esther, Rochester her King Ahasuerus
  • Listen for Ahasuerus's repeated offer of "half of my kingdom" (Esther 5:3, 6): Rochester echoes it almost word for word in his courtship of Jane
  • A career-long fixation for Brontë — her brother Branwell's "Queen Esther" hung in the parsonage from the time she was fourteen
  • Lear is Shakespeare's Job — the formidable man stripped to nothing, raging at heaven on open ground
  • Both stage the same hard question: why does the innocent suffer? Cordelia's undeserved end is Job's torment made dramatic
  • Harold Bloom calls Lear "manifestly influenced by" Job, and the kinship runs deep enough to carry a whole chapter, "The Patience of Lear"
  • The beheading echoes down to Chaucer: in the Monk's Tale, the fall of Holofernes is founded directly on the Book of Judith
  • Chaucer names Judith as the woman who slays the sleeping general — the same scene, recast as a tragedy of fortune's wheel
  • One of the oldest stories here gets pulled into England's first great poem as a cautionary exemplum
  • Milton plucks the demon Asmodeus straight out of Tobit — the "fishy fume" that drove him off Tobit's son's bride becomes Milton's image for Satan's frustrated lust
  • Tobit's angelic companion Raphael returns too, named in Paradise Lost as the spirit who "deign'd to travel with Tobias"
  • This deuterocanonical book gave Milton two figures — one demonic, one angelic — that he wove directly into his epic
  • The court-and-outsider structure Hugo would borrow nineteen centuries later
  • Joseph Prouser reads The Hunchback of Notre-Dame as a deliberate "midrash on Esther" — Hugo recasts Ahasuerus's feast as the Festival of Fools and the queen-search as its contests
  • Even the names rhyme: Esther becomes Esmeralda, both heroines bearing dual identities, both moving from outside into a court they expose
Leo TolstoyRussian 19th Century

via The Death of Ivan Ilych

  • Tolstoy named this book as an inspiration for his bleakest novella
  • Ivan Ilych's long, undeserved-feeling agony — and his cry against the injustice of dying — is Job's drama rebuilt inside a 19th-century bureaucrat
  • The post-conversion Tolstoy reached back to Job's challenge to divine justice and asked it again of an ordinary man
In their words

Famous Quotes

For I know that my redeemer liveth, and that he shall stand at the latter day upon the earth.

Job 19:25 (KJV), Job

So. The Spear-Danes in days gone by and the kings who ruled them had courage and greatness.

Opening lines · trans. Heaney, Beowulf

and who knoweth whether thou art come to the kingdom for such a time as this?

Mordecai to Esther, Esther 4:14 (KJV), Esther

and so will I go in unto the king, which is not according to the law: and if I perish, I perish.

Esther, Esther 4:16 (KJV), Esther
Biography

About Unknown

Collective attribution for works whose authorship is unknown.

Unknown, Ranked

According to Groblé

  1. 17Job~500 BCUnknownModerate·Short·72 pagesInfluence90Popularity54BibleWisdomHebrew
  2. 81Beowulf~1000UnknownModerate·Medium·112 pagesInfluence65Popularity71MedievalEpicOld English
  3. 93The Nibelungenlied~1200UnknownModerate·Long·403 pagesInfluence63Popularity31MedievalEpicMiddle High German
  4. 161The Song of Roland~1100UnknownModerate·Medium·224 pagesInfluence64Popularity31MedievalEpicOld French
  5. 190The Poetic Edda~1270UnknownModerate·Long·360 pagesInfluence6Popularity30MedievalEpicOld Norse
  6. 2 Esdras~100UnknownHard·Medium·104 pagesInfluencePopularityBibleApocalypticLatin
  7. 2 Maccabees~124 BCUnknownModerate·Short·65 pagesInfluencePopularityBibleScripture — NarrativeAncient Greek
  8. Judith~100 BCUnknownEasy·Short·44 pagesInfluencePopularityBibleScripture — NarrativeHebrew
  9. Prayer of Manasses~150 BCUnknownEasy·Quick·2 pagesInfluencePopularityBibleLyricAncient Greek
  10. Esther~400 BCUnknownEasy·Quick·23 pagesInfluencePopularityBibleScripture — NarrativeHebrew
  11. Tobit~200 BCUnknownEasy·Quick·28 pagesInfluencePopularityBibleScripture — NarrativeAramaic
  12. 1 Maccabees~100 BCUnknownModerate·Short·93 pagesInfluencePopularityBibleScripture — NarrativeHebrew
  13. 1 Esdras~150 BCUnknownModerate·Short·47 pagesInfluencePopularityBibleScripture — NarrativeAncient Greek